3. 无韵体(Blank Verse):五音步抑扬格,不押韵诗体。 Across the watery bale , and shout again, Responsive to his call, - with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled:...
3. 无韵体(Blank Verse):五音步抑扬格,不押韵诗体。 Across the watery bale , and shout again, Responsive to his call, -- with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled...
3. 无韵体(Blank Verse):五音步抑扬格,不押韵诗体。 Across the watery bale , and shout again, Responsive to his call, - with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled:...
3. 无韵体(Blank Verse):五音步抑扬格,不押韵诗体。 Across the watery bale , and shout again, Responsive to his call, - with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled:...
3. 无韵体(Blank Verse):五音步抑扬格,不押韵诗体。 Across the watery bale , and shout again, Responsive to his call, - with quivering peals, And long halloos, and screams, and echoes loud. Redoubled and redoubled:...
《修墙》写人世间有许多毫无存在价值的有形的和无形的墙。除了短篇抒情诗外，他有一些富于戏剧性的长篇叙事诗，刻画了新英格兰乡间人物的精神面貌，调子比较低沉，亦颇有特色。在格律方面，弗罗斯特爱用传统的无韵体和十四行...
《修墙》写人世间有许多毫无存在价值的有形的和无形的墙。除了短篇抒情诗外，他有一些富于戏剧性的长篇叙事诗，刻画了新英格兰乡间人物的精神面貌，调子比较低沉，亦颇有特色。在格律方面，弗罗斯特爱用传统的无韵体和十四行...
诗剧里的除恶之神,名叫窦木蒿根。他是公元4世纪神话中的神,雪莱用他来补充古典的神话。诗剧继承了希腊悲剧的特点。第一幕开场,普罗米修斯用大段的无韵诗申述3,000年的折磨,接着有高山之神、泉水之神、空气之神、旋风之神等,以...
除了短篇抒情诗外，他有一些富於戏剧性的长篇叙事诗，刻画了新英格兰乡间人物的精神面貌，调子比较低沉，亦颇有特色。在格律方面，弗罗斯特爱用传统的无韵体和四行体的各种变体，时常押韵，在节奏上具有自个的特色。弗罗斯特常...
(2)近体诗:与古体诗相对的近体诗又称今体诗,是唐代形成的一种格律体诗,分为两种,其字数、句数、平仄、用韵等都有严格规定。 ①一种称“绝句”,每首四句,五言的简称五绝,七言的简称七绝。 ②一种称“律诗”,每首八句,五言的...